Presale can be found under this link : https://www.atelier.lu/shows/chassol/
Ludi is a musical movie written and composed by Christophe Chassol, inspired by Hermann Hesse’s novel The Glass Bead Game, also published as Magister Ludi.The film presents several gaming situations put into music with the Ultrascore method, Chassol’s "signature".
Through Ludi, Chassol brings us from a school playground to Japan’s arcade games, from a basketball game to a rollercoaster, at the meeting of endearing characters, fun and surprising. Mixing once again documentary footages and musical composition, Chassol adds in Ludi some staging by including musicians and singers on screen to support the melodies, revealed by the documentary filming process. It gives birth to unclassifiable tracks, with jazz pop sounds, definitively virtuoso. To discover on stage with Mathieu Edward on drum.
Born in 1976, Chassol discovered music at the age of four. Son of an amateursaxophonist father, this “black kid” joined the Conservatory as others join the army. He would spend sixteen years there, starting out by learning harmony, scales, and melody as essential illumination for what would follow. Traumatized at a very tender age by the soundtrack for the film The Towering Inferno, the young Chassol quickly understood that he would not release his first album at 20. No, indeed. His initial ambition was to compose for the cinema, covertly uniting sound and image in order to produce movie music of great elegance in the tradition of Jerry Goldsmith, Michel Magne, and Quincy Jones, among others. In the mid-1990s, Chassol practically disappeared. He headed for darkly-lit movie houses with immediate boarding for fifteen years of composition for the big screen, television, and advertising. Between advertising jingles, Chassol found the time to become an orchestra conductor from 1994 to 2002 and then discovered the world of pop music while accompanying Phoenix and Sébastien Tellier on Politics (2004), for which the young double of Jean-Michel Basquiat did most of the arrangements. One of the quirks of such shifts is the confusion they create between the avant-garde and one’s own ambition. “I am a musician who makes serious and accessible music in a pop-music format,” Chassol says in order to pull himself out of ghetto niche markets, where so many others bask. As much a disciple of the Minimalist school of music (Steve Reich, John Adams) as he is a passionate enthusiast for pop culture, this Parisian loves to wander off the beaten path, as is shown by his “ultrascores” (“absolute film music” composed on the basis of a film’s sonic elements) for Nola Chérie (the latter of which accompanies this first record “X-Pianos” as a DVD supplement), Indiamore (his second DVD/CD project) or the coming Big Sun (third and final part of the trilogy coming in 2015).
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